In The News:
May 30 2016 - Hindu Deities Form Part Of Los Angeles Getty Center’s China Cave Temples Exhibition; Eurasia Review
May 11 2016 - The Mogao Caves, the subject of a new exhibit at the Getty Center, were a crossroads for many ancient cultures; Antonie Bossenkool; LA Daily News
May 10 2016 - From the Silk Road to Los Angeles: Dunhuang at the Getty; Alexandra A Seno; Forbes
May 07 2016 - New Getty cave exhibit displays the original global village; Antonie Boessenkool; OC Register
May 05 2016 - LA’s Getty Center Blends Oculus-Ready VR With Ancient Chinese Art In Virtual Reality Museum Exhibit; MATT PRESSBERG; IB Times
Situated in Gansu Province’s desert landscape, at the crossroads of trade, religious, cultural and intellectual influences, Mogao’s 492 natural cells and cave sanctuaries within the cliffs make up the Caves of a Thousand Buddhas, famous for their statues and wall paintings spanning 1,000 years of Buddhist art.
It represents a unique artistic achievement as much by the organization of space into cells and temples built on five levels as by the production of more than 2000 sculptures carved out of rock walls, then covered with clay and painted, and about 45,000m2 of Chinese art murals masterpiece.
The caves’ history is linked with the first Chinese expeditions against the Mongolian steppes and Central Asia nomads.
After Zhang Qian’s expedition in Bactria (139-126 BC), a long section of great walls was built to protect the northern frontier, and military posts, like that of Dunhuang, were established.
Control of Hexi pass and oases route, which were the strategic point of the Silk Route, was the motivating factor in the conflicts between the Chinese and the nomads.
Dunhuang constituted a cosmopolitan enclave of this caravan oasis where eoples representing religions such as Buddhism, Nestorianism and Islam mingled together.
Buddhist monks first began work on Mogao caves in AD366, and the majority of the cells and temples were constructed from 5th through 14th century.
Several Central Asia historical moments are illustrated in the caves and frescos that illustrate doctrinal themes, reflecting transcendental teaching, correspond to 7th century when the Tang dynasty tightened its control of Silk Route.
The first Tantric themes appear during Tibetan occupation (790-851); and following the conquest by the Tanguts, these themes multiplied, encouraged by the proliferation of lama sects under Western Xia (1036-1227).
Mogao caves are closely associated with the history of transcontinental relations and that of the propagation of Buddhism.
Dunhuang (pop. 188,000) is a city on the old Silk Road. It is in Gansu Province in north west China [read more].
Dangchengwan (pop. 10,000).
Guazhou (pop. 90,000).
Aug 05 2014 - Cultural Heritage of Gansu Province along the Silk Road; Ma Xiaochun; People's Daily OnlineOct 23 2013 - Silk Road secrets: The Buddhist art of the Mogao Caves; Paul Hastie; BBC
Sep 24 2013 - Dunhuang under new colors; Global Times
May 24 2013 - Digital reincarnation for Dunhuang's Buddhist art; AFP
May 01 2013 - U.S. exhibition reproduces ancient Buddhist caves; Ula Ilnytzky; Daily Star
Apr 30 2013 - A Piece of Dunhuang Comes to New York; Christine Lin; Epoch Times
Jan 15 2013 - Buddhas in 3-D: Technology and the battle to preserve Asia's heritage; Katie Hunt; CNN
Jan 06 2013 - Digital Chinese caves preserve history; Jane O'Brien; BBC
Dec 17 2012 - Virtual Tourism: China’s Dunhuang Buddhist Caves Go Digital; Melinda Liu; Newsweek
Dec 03 2012 - Video: Take a Virtual 3D Journey to Visit China’s Caves of the Thousand Buddhas; Joseph Stromberg; Smithsonian Magazine